CLASSIC VIDEO SHOWPLACE: Eddie Anderson

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As part of RCN’s celebration of Black History Month, we here at the “Showplace” are putting the spotlight on African American actors who excelled not just on the big and small screens but those who also inspired change with their courage and perseverance.

Of all the zany and popular comedic characters over the five decades that the Jack Benny Program was on radio and television, none was more popular nor drew as much applause at public events than Eddie “Rochester” Anderson.

Guest starring on an episode of Jack Benny’s radio show in 1936, Benny immediately realized that Anderson’s unique voice, comedic timing and quick-witted return of a line would resonate perfectly with Benny’s “slow burn” style delivery.  Benny immediately hired him as a regular full-time character on his team and, in doing so, Anderson became the first African-American regular cast member on a national medium.

Born in Oakland, California he had early aspirations of performing along with his older brother, Cornelius. In his obituary in the Ludington Daily News, Anderson described himself as being a descendant of slaves who were able to leave the South during the Civil War through the Underground Railroad.

Anderson “acquired” his famous raspy voice as a child when his vocal cords were ruptured when he was selling newspapers. The newsboys believed those who would shout the loudest sold the most papers. The permanent damage done to his vocal cords left him with his voice now so familiar to radio and television audiences.

No one brought out the cheapness of Benny’s character better (and funnier) than Anderson, who would frequently test the penny-pincher’s budget and deliver rapid-fire lines underscoring just how little he paid his employees:

     “You can split an apple, you can split an atom, but I defy ANYONE to split my salary.”

According to Benny’s memoirs “Sunday Nights At Seven,” he came up with the name “Rochester” because he felt the way he could draw out the syllables of that name.  Anderson liked it so much he incorporated it as a middle name for any future productions, including non-Benny performances.

In 1942 while touring Europe with his entire cast and performing shows for the Allied Forces, Benny met a soldier who claimed to be a fan of the show and began to have dinner together.  During the conversation it became evident that the soldier’s favorite part of the program were jokes using prejudices (eg., drinking gin, playing craps) against people of color that were rampant during the time period.  Benny immediately got up from the table, told the soldier that he is not interested in “that type” of person listening to his show.  Benny then instructed his writers to never use any of those stereotypes nor any jokes that would be considered racist or offend any ethnicity again –  a promise to Anderson he kept through the rest of his career.

Unlike his character’s persona, Anderson was paid handsomely for his role as Rochester and used his regularly increasing salaries to enhance his love for horses, exotic boats and exquisite mansions, taking up residence in the West Adams district in California.

In the 1940s, the African-American entertainment community began purchasing homes in the district, nicknaming it “Sugar Hill.”  According to the website, westadamsheightssugarhill.com, property owners reacted to their new neighbors by adding restrictive covenants to their deeds, prohibiting African-Americans from purchasing a property or inhabiting it once purchased. The practice was later declared illegal by the US Supreme Court and Anderson lived in that mansion until his death in 1977.

Anderson also had an astute business sense.  In 1948, he saw the value and potential of Las Vegas as an entertainment center and wanted to build a hotel where African-Americans would be welcome.  Anderson failed to attract enough people willing to invest, and he was unable to complete the plan.

When the Benny program moved to television in 1949, Anderson appeared more than any other character and was a part of many of the show’s most popular episodes and funniest bits seen on the small screen.

Anderson was featured prominently in the 1963 mega star film It’s A Mad, Mad, Mad, Mad World. While he was given some of the funniest lines in the film, he was the only African American in the entire ensemble cast.

Anderson would make various guest appearances on television shows, including the Benny television specials until his boss’s death in 1974.  Anderson spoke very highly of Benny in memoriam until Anderson’s own death 3 years later.

You can see Anderson’s iconic Rochester character on the Jack Benny Program, along with guest appearances on other classic sitcoms seen on RCN TV.

To view the complete rundown of classic programming on RCN TV, check out the weekly listings here on our website.